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	<title>theseriesproject</title>
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	<pubDate>Fri, 17 Jul 2026 00:41:47 +0000</pubDate>
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		<title>Craig A. Champion : :The First 2 Minutes</title>
				
		<link>https://theseriesproject.com/Craig-A-Champion-The-First-2-Minutes</link>

		<pubDate>Fri, 29 Jan 2021 03:07:09 +0000</pubDate>

		<dc:creator>theseriesproject</dc:creator>

		<guid isPermaLink="true">https://theseriesproject.com/Craig-A-Champion-The-First-2-Minutes</guid>

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&#60;img width="1259" height="2000" width_o="1259" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b66584fca0ebdb4b2b90478bdf89d5136f7fe604bcb8964b4d16715dbc79d708/TF2M_JournalPage01_CraigAbellChampion.jpg" data-mid="96916664" border="0"  src="https://freight.cargo.site/w/1000/i/b66584fca0ebdb4b2b90478bdf89d5136f7fe604bcb8964b4d16715dbc79d708/TF2M_JournalPage01_CraigAbellChampion.jpg" /&#62;

CRAIG A. CHAMPION ︎ THE FIRST 2 MINUTES&#38;nbsp;
































During quarantine, the first important thing I noticed in the two minutes of every day was photographed. I decided I’d do this until my supply of film ran dry. It was a familiar act I theorized might steer the day into a pinch of normalcy. It would also become visual documentation of me attempting to ground myself to anything. 


Why was this important? 


My apartment wasn’t the only place I was locked down. It turned out, for decades my head had been constructing a rat trap of forgotten trauma and it decided spring it on me… In tandem with a bipolar episode. &#38;nbsp;


After two minutes an ugly forgotten past would begin another assault. My bipolar would jumpstart its way out from its heavy spell of Trazodone, then the day started disintegrating. I needed to try to have an image of before that. &#38;nbsp;


Taking these pictures was confusing. An annoying, senseless rote act that made me hate the art form I love most. However, the daily ritual and the streaming written thoughts that accompany were somehow vital. They got me through some dangerously difficult days and helped me in ways I’m still decoding. &#38;nbsp;












The Series Project. 
Isolation. July. 2020.
IPA Winner: Fine Art Analog Category.&#60;img width="1259" height="2000" width_o="1259" height_o="2000" data-src="https://freight.cargo.site/t/original/i/cabf80a0bbb3a39c177f859838a8af648b9982d3db7cb7db1971b30f2abefdb3/TF2M_JournalPage02_CraigAbellChampion.jpg" data-mid="96916667" border="0"  src="https://freight.cargo.site/w/1000/i/cabf80a0bbb3a39c177f859838a8af648b9982d3db7cb7db1971b30f2abefdb3/TF2M_JournalPage02_CraigAbellChampion.jpg" /&#62;&#60;img width="1242" height="2000" width_o="1242" height_o="2000" data-src="https://freight.cargo.site/t/original/i/cd3614f1ca238fbcd3ff3bf3465417cf9da0cd8ed9aefe10ec0c376749bada56/TF2M_JournalPage03_CraigAbellChampion.jpg" data-mid="96916668" border="0"  src="https://freight.cargo.site/w/1000/i/cd3614f1ca238fbcd3ff3bf3465417cf9da0cd8ed9aefe10ec0c376749bada56/TF2M_JournalPage03_CraigAbellChampion.jpg" /&#62;&#60;img width="1251" height="2000" width_o="1251" height_o="2000" data-src="https://freight.cargo.site/t/original/i/78659683ee5b4fb273c85a58c52e3d536f8c150c0c77d53da76a3a169e0c3bd7/TF2M_JournalPage04_CraigAbellChampion.jpg" data-mid="96916669" border="0"  src="https://freight.cargo.site/w/1000/i/78659683ee5b4fb273c85a58c52e3d536f8c150c0c77d53da76a3a169e0c3bd7/TF2M_JournalPage04_CraigAbellChampion.jpg" /&#62;&#60;img width="1252" height="2000" width_o="1252" height_o="2000" data-src="https://freight.cargo.site/t/original/i/fb46521817fb2c935fd36b9fd2f33195b80f860746b49c23f8d077507aee167d/TF2M_JournalPage05_CraigAbellChampion.jpg" data-mid="96916670" border="0"  src="https://freight.cargo.site/w/1000/i/fb46521817fb2c935fd36b9fd2f33195b80f860746b49c23f8d077507aee167d/TF2M_JournalPage05_CraigAbellChampion.jpg" /&#62;&#60;img width="1256" height="2000" width_o="1256" height_o="2000" data-src="https://freight.cargo.site/t/original/i/6858fd97ad8ddf182a6d56ce5a2f9465244c6455bf8e08e80845109db26e46ea/TF2M_JournalPage06_CraigAbellChampion.jpg" data-mid="96916671" border="0"  src="https://freight.cargo.site/w/1000/i/6858fd97ad8ddf182a6d56ce5a2f9465244c6455bf8e08e80845109db26e46ea/TF2M_JournalPage06_CraigAbellChampion.jpg" /&#62;&#60;img width="1238" height="2000" width_o="1238" height_o="2000" data-src="https://freight.cargo.site/t/original/i/a88ddd28611582657a1fca25455174d11f3471c41cebe23347d8d1738d471e56/TF2M_JournalPage07_CraigAbellChampion.jpg" data-mid="96916672" border="0"  src="https://freight.cargo.site/w/1000/i/a88ddd28611582657a1fca25455174d11f3471c41cebe23347d8d1738d471e56/TF2M_JournalPage07_CraigAbellChampion.jpg" /&#62;&#60;img width="1230" height="2000" width_o="1230" height_o="2000" data-src="https://freight.cargo.site/t/original/i/38e1adc29e08853bdb567a618593cf2c3dcf10557deb2ce5308653743b2cf801/TF2M_JournalPage08_CraigAbellChampion.jpg" data-mid="96916673" border="0"  src="https://freight.cargo.site/w/1000/i/38e1adc29e08853bdb567a618593cf2c3dcf10557deb2ce5308653743b2cf801/TF2M_JournalPage08_CraigAbellChampion.jpg" /&#62;&#60;img width="1219" height="1950" width_o="1219" height_o="1950" data-src="https://freight.cargo.site/t/original/i/60abada62b021d685942387381ce6007422e5ff74fe1f050132aec57940e513b/TF2M_JournalPage09_CraigAbellChampion.jpg" data-mid="96916675" border="0"  src="https://freight.cargo.site/w/1000/i/60abada62b021d685942387381ce6007422e5ff74fe1f050132aec57940e513b/TF2M_JournalPage09_CraigAbellChampion.jpg" /&#62;&#60;img width="1390" height="2000" width_o="1390" height_o="2000" data-src="https://freight.cargo.site/t/original/i/58a2fef4a93ed4db7c804dec3b65b0def1697f063dd30cbeedb4a2eb02ce5d0d/TF2M_JournalPage10_CraigAbellChampion.jpg" data-mid="96916677" border="0"  src="https://freight.cargo.site/w/1000/i/58a2fef4a93ed4db7c804dec3b65b0def1697f063dd30cbeedb4a2eb02ce5d0d/TF2M_JournalPage10_CraigAbellChampion.jpg" /&#62;&#60;img width="1360" height="1950" width_o="1360" height_o="1950" data-src="https://freight.cargo.site/t/original/i/ad886046d7b346bcb3e0c4d34c97a6f1f1c6fa967059c93d45db63cbde673c01/TF2M_JournalPage11_CraigAbellChampion.jpg" data-mid="96916679" border="0"  src="https://freight.cargo.site/w/1000/i/ad886046d7b346bcb3e0c4d34c97a6f1f1c6fa967059c93d45db63cbde673c01/TF2M_JournalPage11_CraigAbellChampion.jpg" /&#62;&#60;img width="1389" height="2000" width_o="1389" height_o="2000" data-src="https://freight.cargo.site/t/original/i/aa5297cd5abdd01980f59102d41bcae000461637b0e51bef882ebd73d9a40dba/TF2M_JournalPage12_CraigAbellChampion.jpg" data-mid="96916681" border="0"  src="https://freight.cargo.site/w/1000/i/aa5297cd5abdd01980f59102d41bcae000461637b0e51bef882ebd73d9a40dba/TF2M_JournalPage12_CraigAbellChampion.jpg" /&#62;

︎&#38;nbsp; CRAIG A. CHAMPION





















The irresistibly eclectic themes gathered over the last twenty plus years in Craig’s photography may have sprouted from his nomadic youth. When living with his family in an RV, bouncing from campground to campground on a weekly basis, change, the unfamiliar, and new experiences were constant. This period of raw discovery, Craig recalls, was the best period of his life. He’s chosen to carry on the tradition as he’s traveled the world directing commercials, branded projects, and conducting photo shoots for a wide variety of international brands.


The First Two Minutes, was an IPA winner in its category, Fine Art, Analog. 
I
t was also the IPA Jury’s Top 5 Selection Award recipient. 







︎CRAIG’S WEBSITE
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	<item>
		<title>Lorna Carmichael : ME ENTRO EL GARRION</title>
				
		<link>https://theseriesproject.com/Lorna-Carmichael-ME-ENTRO-EL-GARRION</link>

		<pubDate>Tue, 19 Mar 2024 10:26:22 +0000</pubDate>

		<dc:creator>theseriesproject</dc:creator>

		<guid isPermaLink="true">https://theseriesproject.com/Lorna-Carmichael-ME-ENTRO-EL-GARRION</guid>

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	&#60;img width="1860" height="1240" width_o="1860" height_o="1240" data-src="https://freight.cargo.site/t/original/i/1fa5b9b4a8febd362d5aca8cd76045d281b370ae5dbecfed7a0560cc5b24eddb/MEEG_Cuba-1699-1.jpeg" data-mid="207112201" border="0"  src="https://freight.cargo.site/w/1000/i/1fa5b9b4a8febd362d5aca8cd76045d281b370ae5dbecfed7a0560cc5b24eddb/MEEG_Cuba-1699-1.jpeg" /&#62;




	LORNA CARMICHAEL ︎&#38;nbsp; ME ENTRO EL GARRIONA meditation on longing.“Me entro el garrion” es una expresion de la añoranza para los cubanos cuando el sentimiento de extrañar a sus costumbres, familia, hogar, amigos, se vuelve muy fuerte.“I got the sparrow,” is an expression for when you miss in a strong way your habits, family, friends - when Cubans can’t handle that feeling they say that.




The Series Project. 
Havana. April 2023.IPA Awards 2023 - Honorable MentionIPA Awards 2023 - Official Selection



	
	
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︎ LORNA CARMICHAEL










Lorna’s wanderlust as a child was fueled by whimsical family adventures with her Dad. 

Daydreaming of sparkling oceans, Lorna left Scotland, after studying architecture at Glasgow School of Art, to explore sunnier lands. Always travelling with a camera, happenstance threw her into the world of visual storytelling.

A sucker for Romeo and Juliet, she was thrilled to work on Baz Luhrmann's epic 'Australia' as her inaugural feature film. Combining her love for adventure and film, she camped under the stars in the Australian outback, and then back in the film studios she was thrown into Visual Effects, where she worked alongside great directors and cinematographers creating magic on the film set. Lorna's film resume includes Narnia, Voyage of the Dawn Treader, J Edgar Hoover and The Night Manager. 

4 continents, and many serendipitous journeys later, Lorna is a photographer and filmmaker based in Vancouver, Canada. Her photographic practice, influenced strongly by her work in feature film, is primarily focused on portraiture, street and photojournalism.

Lorna's photographs have been used in press publications, feature films, and by charitable organizations. Awards include a BAFTA nomination, and an IPA Honorable mention in the 2020 Press Photo Category. Her work has been exhibited by Lens Culture and&#38;nbsp; in 'These Days - Works in Isolation', a group exhibition documenting our time in lockdown.

'Looking through the lens helps me express myself, and there is nothing I like more than following my curiosity, intuition and love of people.'




︎LORNA’S WEBSITE
</description>
		
	</item>
		
		
	<item>
		<title>HUBERT KANG : BEASTS OF BURDEN</title>
				
		<link>https://theseriesproject.com/HUBERT-KANG-BEASTS-OF-BURDEN</link>

		<pubDate>Mon, 01 Sep 2025 02:33:37 +0000</pubDate>

		<dc:creator>theseriesproject</dc:creator>

		<guid isPermaLink="true">https://theseriesproject.com/HUBERT-KANG-BEASTS-OF-BURDEN</guid>

		<description>
&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/795f60dd3356da9c2ea1693bbb96737c5cd8469d7019e172eaef94499d00b97a/L1060024-2-01.jpg" data-mid="237677733" border="0"  src="https://freight.cargo.site/w/1000/i/795f60dd3356da9c2ea1693bbb96737c5cd8469d7019e172eaef94499d00b97a/L1060024-2-01.jpg" /&#62;


HUBERT KANG ︎&#38;nbsp; BEASTS OF BURDENI believe there is a strong interconnectedness between all living beings. 
In the desert, camels carry our burden. 
The land carries our memory. 
Everything is in a circular continuum and harmony. 








The Series Project. 
Morroco. May. 2025.

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&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/f6ed327985a24746b15b963ff0cd9dcd067a7570a4f9c9b9fc73871cd9b30ecc/L1010468-23.jpg" data-mid="237677716" border="0"  src="https://freight.cargo.site/w/1000/i/f6ed327985a24746b15b963ff0cd9dcd067a7570a4f9c9b9fc73871cd9b30ecc/L1010468-23.jpg" /&#62;
︎&#38;nbsp; HUBERT KANG










Born in Taiwan, Hubert gained a master's degree in documentary photography at the London College of Communication. Having grown up with both Eastern and Western influences, Hubert learned to always look at subject matter with diverse perspectives and aesthetics. “
I’m attracted to energy, forms, light, and raw emotions,” says Hubert, “In my work, I mix these elements with my life experiences to communicate what I see in this fascinating world”. 
Today he’s based in Vancouver, Canada and is a multi award-winning international advertising and documentary director and photographer.



︎HUBERT’S WEBSITE

</description>
		
	</item>
		
		
	<item>
		<title>FLOWERMOON : : Trent Michael</title>
				
		<link>https://theseriesproject.com/FLOWERMOON-Trent-Michael</link>

		<pubDate>Fri, 29 Jan 2021 01:47:28 +0000</pubDate>

		<dc:creator>theseriesproject</dc:creator>

		<guid isPermaLink="true">https://theseriesproject.com/FLOWERMOON-Trent-Michael</guid>

		<description>
&#60;img width="2500" height="1524" width_o="2500" height_o="1524" data-src="https://freight.cargo.site/t/original/i/8cc4ff79ce9efc60deb428319c48fd65f9522aa04d2c4e6264b0ef9eacc49ae4/flowermoon_001.jpg" data-mid="96912539" border="0"  src="https://freight.cargo.site/w/1000/i/8cc4ff79ce9efc60deb428319c48fd65f9522aa04d2c4e6264b0ef9eacc49ae4/flowermoon_001.jpg" /&#62;

TRENT MITCHELL ︎ FLOWERMOON&#38;nbsp;










My daughter Ayla began her transition into the world during the Covid-19 pandemic under the Super Flower Moon of May. A poignant symbol of rebirth, natural cycles and growth. Ayla translates into the meanings, "halo of light around the moon" and "from a strong and resilient place." 


During isolation restrictions, the timely intersection of events lead me to explore the tension between change and natural cycles from a global and everyday perspective. My response was photographed in the moment during the lunar cycle between May 7th and June 6th 2020.




The Series Project. 
Isolation. July. 2020.

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&#60;img width="2500" height="1524" width_o="2500" height_o="1524" data-src="https://freight.cargo.site/t/original/i/151cc68f0ac89e5781d6d64bd6ebdb1649d6b7997757ddea7aa78f6dd75549c4/flowermoon_013.jpg" data-mid="96912553" border="0"  src="https://freight.cargo.site/w/1000/i/151cc68f0ac89e5781d6d64bd6ebdb1649d6b7997757ddea7aa78f6dd75549c4/flowermoon_013.jpg" /&#62;
&#60;img width="2500" height="1524" width_o="2500" height_o="1524" data-src="https://freight.cargo.site/t/original/i/29006fb5739bee5083763036083d6dcd5c15bf7bff796f0209bf6ed52d92a458/flowermoon_014.jpg" data-mid="96912554" border="0"  src="https://freight.cargo.site/w/1000/i/29006fb5739bee5083763036083d6dcd5c15bf7bff796f0209bf6ed52d92a458/flowermoon_014.jpg" /&#62;

︎ TRENT MITCHELL










Trent Mitchell is an Australian photographer whose contemporary eye for capturing people and moments has been globally acclaimed throughout the past decade. His moment-in-time, reportage style connects people and place in a bold and dynamic way. Combining an award-winning personal practice with commercial work for some of the country’s biggest brands, Mitchell’s influence is felt across all of his works.


Trent’s photographs have been cited through a raft of awards, including a finalist perch at the Moran Contemporary Photographic Prize for nine years out of eleven, resulting in a win for his Australia Seriously series in 2015. Further accolades have come from the International Photography Awards, Sony World Photography Awards, Head On, Australian Life Photographic Prize and Capture Magazine Emerging Photographer of the Year.


Throughout Mitchell’s personal and commercial work, it’s his ability to not only compose his subject, but to distil the atmosphere of the location and truly evoke a sense of place that identifies his work. While the focus might be Australian, the stories told and the heart they encapsulate resonate globally.



︎TRENT’S WEBSITE
</description>
		
	</item>
		
		
	<item>
		<title>Tash Hopkins : : QAWIYAH</title>
				
		<link>https://theseriesproject.com/Tash-Hopkins-QAWIYAH</link>

		<pubDate>Fri, 17 Jul 2026 00:41:47 +0000</pubDate>

		<dc:creator>theseriesproject</dc:creator>

		<guid isPermaLink="true">https://theseriesproject.com/Tash-Hopkins-QAWIYAH</guid>

		<description>

&#60;img width="2961" height="2119" width_o="2961" height_o="2119" data-src="https://freight.cargo.site/t/original/i/02180066393598ee23f253e6fa123e69d7d08e36b0799dcb1f2e2ae47c5962e4/Tbourida.1.jpg" data-mid="250479754" border="0"  src="https://freight.cargo.site/w/1000/i/02180066393598ee23f253e6fa123e69d7d08e36b0799dcb1f2e2ae47c5962e4/Tbourida.1.jpg" /&#62;


TASH HOPKINS ︎










QAWIYAH



&#38;nbsp;
































Emerging from the battlefields of 16th-century Morocco, Tbourida is an equestrian tradition where troupes charge in unison, then suddenly halt to fire gunpowder-filled rifles. Whilst teams navigate danger, at its core Tbourida is a storied and spiritual practice: teams pray before competing, histories are stitched in the saddles, and riders carry a miniature Qur'an.

This work counters stereotypical assumptions about Moroccan women and recognises their courage and agency as they claim their place in a tradition that, until recently, 
banned them from taking part.













&#60;img width="3153" height="2375" width_o="3153" height_o="2375" data-src="https://freight.cargo.site/t/original/i/55856b434398dc9208d4c6f2ccbe784e85fedf3f5841ff44ac028331b3505999/Tbourida.3a.jpg" data-mid="250479762" border="0"  src="https://freight.cargo.site/w/1000/i/55856b434398dc9208d4c6f2ccbe784e85fedf3f5841ff44ac028331b3505999/Tbourida.3a.jpg" /&#62;

&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/5039255633631427deb1053aae63a635f6b037c7cb5ec0434f7e0904566008a8/Tbourida.2.jpg" data-mid="250479761" border="0"  src="https://freight.cargo.site/w/1000/i/5039255633631427deb1053aae63a635f6b037c7cb5ec0434f7e0904566008a8/Tbourida.2.jpg" /&#62;


&#60;img width="3154" height="2365" width_o="3154" height_o="2365" data-src="https://freight.cargo.site/t/original/i/1b74bec35bdb04862618fde85b47a0702c58073f11a7a476caf997064bb396d8/Tbourida.4a.jpg" data-mid="250479878" border="0"  src="https://freight.cargo.site/w/1000/i/1b74bec35bdb04862618fde85b47a0702c58073f11a7a476caf997064bb396d8/Tbourida.4a.jpg" /&#62;

&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/a23ba261089b941d9b74a3669095412252c0bddb64c9fffdce93993129f2dda9/Tbourida.5.jpg" data-mid="250479908" border="0"  src="https://freight.cargo.site/w/1000/i/a23ba261089b941d9b74a3669095412252c0bddb64c9fffdce93993129f2dda9/Tbourida.5.jpg" /&#62;

&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/582551a0aa06ad5e77df1608c3f5e1b818fc6800677756babf30d99bd23482f1/Tbourida.6.jpg" data-mid="250479909" border="0"  src="https://freight.cargo.site/w/1000/i/582551a0aa06ad5e77df1608c3f5e1b818fc6800677756babf30d99bd23482f1/Tbourida.6.jpg" /&#62;

&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/2ab7366410d757456e78f59b4749604ae5b57397a46f4bf88fc3c8898676c1de/Tbourida.7.jpg" data-mid="250479910" border="0"  src="https://freight.cargo.site/w/1000/i/2ab7366410d757456e78f59b4749604ae5b57397a46f4bf88fc3c8898676c1de/Tbourida.7.jpg" /&#62;

&#60;img width="3148" height="2369" width_o="3148" height_o="2369" data-src="https://freight.cargo.site/t/original/i/f8913607dc589977e2d5352703b000445f9bcc02c5757475b3213f2d3291d2c5/Tbourida.8a.jpg" data-mid="250479981" border="0"  src="https://freight.cargo.site/w/1000/i/f8913607dc589977e2d5352703b000445f9bcc02c5757475b3213f2d3291d2c5/Tbourida.8a.jpg" /&#62;

&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/287544dc498192e9354c543797070f8d2c500b735185a419dcedfdbe8c388d02/Tbourida.11.jpg" data-mid="250479983" border="0"  src="https://freight.cargo.site/w/1000/i/287544dc498192e9354c543797070f8d2c500b735185a419dcedfdbe8c388d02/Tbourida.11.jpg" /&#62;

&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/caf7a137801a15ed2bcb83549d89b9c068167aae7d7653b55c9423bc93be881c/Tbourida.12.jpg" data-mid="250479984" border="0"  src="https://freight.cargo.site/w/1000/i/caf7a137801a15ed2bcb83549d89b9c068167aae7d7653b55c9423bc93be881c/Tbourida.12.jpg" /&#62;

&#60;img width="3173" height="2379" width_o="3173" height_o="2379" data-src="https://freight.cargo.site/t/original/i/12f0ac1899fa973d7ad330e1cc1f3a68773ec1b335a2638de1eb059d3229964b/Tbourida-13a.jpg" data-mid="250480002" border="0"  src="https://freight.cargo.site/w/1000/i/12f0ac1899fa973d7ad330e1cc1f3a68773ec1b335a2638de1eb059d3229964b/Tbourida-13a.jpg" /&#62;

&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/45424b1ed20f18cf7e4fc9d3278ece186a7dbc5ea944be1c93944e4f704f98db/Tbourida.14.jpg" data-mid="250480004" border="0"  src="https://freight.cargo.site/w/1000/i/45424b1ed20f18cf7e4fc9d3278ece186a7dbc5ea944be1c93944e4f704f98db/Tbourida.14.jpg" /&#62;

&#60;img width="3290" height="2378" width_o="3290" height_o="2378" data-src="https://freight.cargo.site/t/original/i/9ba9586726a3f05bf807938f1d530b16a6f5a11c9fbaba4f5e82992e2198d1ec/Tbourida-16a.jpg" data-mid="250480008" border="0"  src="https://freight.cargo.site/w/1000/i/9ba9586726a3f05bf807938f1d530b16a6f5a11c9fbaba4f5e82992e2198d1ec/Tbourida-16a.jpg" /&#62;

&#60;img width="2750" height="1828" width_o="2750" height_o="1828" data-src="https://freight.cargo.site/t/original/i/bfdb5c40a7baa081c6c503654b8183ae6d66c91903e13c46fd817ea47c08837b/Tbourida.17B.jpg" data-mid="250480012" border="0"  src="https://freight.cargo.site/w/1000/i/bfdb5c40a7baa081c6c503654b8183ae6d66c91903e13c46fd817ea47c08837b/Tbourida.17B.jpg" /&#62;

&#60;img width="2447" height="1834" width_o="2447" height_o="1834" data-src="https://freight.cargo.site/t/original/i/d45125adecdb6e07fc28be74239e39f96a717c074a1c2f47db742d25eb4e7f1b/Tbourida-17a.jpg" data-mid="250480010" border="0"  src="https://freight.cargo.site/w/1000/i/d45125adecdb6e07fc28be74239e39f96a717c074a1c2f47db742d25eb4e7f1b/Tbourida-17a.jpg" /&#62;

&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/9cab6fbe2daf298023cdd33cc06b876be039ed744ed09aedfa19adae358d412e/Tbourida.18.jpg" data-mid="250480014" border="0"  src="https://freight.cargo.site/w/1000/i/9cab6fbe2daf298023cdd33cc06b876be039ed744ed09aedfa19adae358d412e/Tbourida.18.jpg" /&#62;
︎&#38;nbsp; TASH HOPKINS





















Tash is a New Zealand-born photographer who makes stories to move people. Her work moves fluidly between documentary and advertising, carried by a quiet, inclusive energy that builds trust and allows genuine moments to unfold - whether she's shooting for brands and agencies, or following her curiosity into the personal projects that fire her. She's the kind of photographer who will learn to say a few words in a stranger's language before she ever lifts the camera, believing that connection comes first and the image follows - that emotion should be felt, not explained.

&#38;nbsp;







︎TASH’S WEBSITE
</description>
		
	</item>
		
		
	<item>
		<title>Camilla Rutherford : ONCE WERE FARMERS</title>
				
		<link>https://theseriesproject.com/Camilla-Rutherford-ONCE-WERE-FARMERS</link>

		<pubDate>Wed, 09 Jul 2025 01:17:57 +0000</pubDate>

		<dc:creator>theseriesproject</dc:creator>

		<guid isPermaLink="true">https://theseriesproject.com/Camilla-Rutherford-ONCE-WERE-FARMERS</guid>

		<description>
&#60;img width="1800" height="1012" width_o="1800" height_o="1012" data-src="https://freight.cargo.site/t/original/i/426a02639cfb98f612c7085aef11b2e10ce8ca771e20653e48dbdcd3f09159b7/Camilla_Rutherford_1-.jpg" data-mid="235553183" border="0"  src="https://freight.cargo.site/w/1000/i/426a02639cfb98f612c7085aef11b2e10ce8ca771e20653e48dbdcd3f09159b7/Camilla_Rutherford_1-.jpg" /&#62;

CAAMILLA RUTHERFORD ︎&#38;nbsp; ONCE WERE FARMERS






































Tribes of Vietnamese villagers that once produced food and crafts 
now deal with other people's’ trash. 

Once they were farmers, they now harvest a different bounty.

Making them and the environment sick.The Series Project, Hanoi. May 2024.

&#38;nbsp;Once Were Farmers won overall Gold at the IPA Photography Awards 
in the Press and Contemporary Issues category.


&#60;img width="1800" height="1012" width_o="1800" height_o="1012" data-src="https://freight.cargo.site/t/original/i/ca80521c8719f62bc8d4f0d7cab9281fcdd9b1c4f95956ef6efe9d253b6ad848/Camilla_Rutherford_2-.jpg" data-mid="235553187" border="0"  src="https://freight.cargo.site/w/1000/i/ca80521c8719f62bc8d4f0d7cab9281fcdd9b1c4f95956ef6efe9d253b6ad848/Camilla_Rutherford_2-.jpg" /&#62;

&#60;img width="1800" height="1012" width_o="1800" height_o="1012" data-src="https://freight.cargo.site/t/original/i/5c8f3558235ab184bcf97f570108c0053ce58a898c87ae4fa4880d9180d7c433/Camilla_Rutherford_3-.jpg" data-mid="235553189" border="0"  src="https://freight.cargo.site/w/1000/i/5c8f3558235ab184bcf97f570108c0053ce58a898c87ae4fa4880d9180d7c433/Camilla_Rutherford_3-.jpg" /&#62;
&#60;img width="1800" height="1012" width_o="1800" height_o="1012" data-src="https://freight.cargo.site/t/original/i/7a4bf4d339e352908c94bbdd661edd409a5ea9d42338eb31ff02b7f4d9d66cda/Camilla_Rutherford_4-.jpg" data-mid="235553193" border="0"  src="https://freight.cargo.site/w/1000/i/7a4bf4d339e352908c94bbdd661edd409a5ea9d42338eb31ff02b7f4d9d66cda/Camilla_Rutherford_4-.jpg" /&#62;
_
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&#60;img width="1800" height="1012" width_o="1800" height_o="1012" data-src="https://freight.cargo.site/t/original/i/9675ccf6229725a91377a6220d142c1171e9184a05627bb2f2c30d16860c4fa2/Camilla_Rutherford_7.jpg" data-mid="235553205" border="0"  src="https://freight.cargo.site/w/1000/i/9675ccf6229725a91377a6220d142c1171e9184a05627bb2f2c30d16860c4fa2/Camilla_Rutherford_7.jpg" /&#62;
&#60;img width="1800" height="1012" width_o="1800" height_o="1012" data-src="https://freight.cargo.site/t/original/i/cdba4a990e6b36e78632413c9ca99a4ceb81c5e60277307815fb79876c1bf8db/Camilla_Rutherford_8.jpg" data-mid="235553207" border="0"  src="https://freight.cargo.site/w/1000/i/cdba4a990e6b36e78632413c9ca99a4ceb81c5e60277307815fb79876c1bf8db/Camilla_Rutherford_8.jpg" /&#62;
_

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_
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_

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&#60;img width="1800" height="1012" width_o="1800" height_o="1012" data-src="https://freight.cargo.site/t/original/i/4bed9eabd62204a21766f4e9f1de17edda68591293699471326005535b1ef1d4/Camilla_Rutherford_19.jpg" data-mid="235553239" border="0"  src="https://freight.cargo.site/w/1000/i/4bed9eabd62204a21766f4e9f1de17edda68591293699471326005535b1ef1d4/Camilla_Rutherford_19.jpg" /&#62;

&#60;img width="1800" height="1012" width_o="1800" height_o="1012" data-src="https://freight.cargo.site/t/original/i/c389ec3e09a9a4da2af59bc1117f1d24d302fabfbe608072afab754d832caab8/Camilla_Rutherford_20.jpg" data-mid="235553242" border="0"  src="https://freight.cargo.site/w/1000/i/c389ec3e09a9a4da2af59bc1117f1d24d302fabfbe608072afab754d832caab8/Camilla_Rutherford_20.jpg" /&#62;

︎ CAMILLA RUTHERFORD










Camilla Rutherford is a New Zealand-based photographer known for her emotive storytelling, adventurous spirit, and deep connection to people and place.


Her work spans portraiture, documentary, and environmental photography — often capturing wild landscapes, colourful weather, and the human stories that move through them. Camilla’s images reflect her love for real connection, raw emotion, and honest beauty.


Originally from the UK, she now lives on a farm in Aotearoa with her husband, two sons, and their dog. When she’s not behind the camera, she’s growing food, cooking it, and telling stories around the dinner table.


Camilla has worked for leading publications including National Geographic, and her work has been widely recognised. Her work has won numberous awards, including NZ Geographic Photographer of the Year and NZ Press Photographer of the Year.


Whether she’s deep in the mountains, on assignment in remote communities, or shooting portraits at home, Camilla brings empathy, intuition, and a natural eye for storytelling to everything she does.



︎CAMILLA’S WEBSITE
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	</item>
		
		
	<item>
		<title>Allison Hunter : : Freedom to Fly</title>
				
		<link>https://theseriesproject.com/Allison-Hunter-Freedom-to-Fly</link>

		<pubDate>Mon, 25 Mar 2024 22:02:06 +0000</pubDate>

		<dc:creator>theseriesproject</dc:creator>

		<guid isPermaLink="true">https://theseriesproject.com/Allison-Hunter-Freedom-to-Fly</guid>

		<description>
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ALLISON HUNTER ︎ FREEDOM TO FLY&#38;nbsp;
































Facing a struggling economy, a rising climate crisis and quickly diminishing reproductive rights, women in the US are facing the greatest challenge to autonomy in decades. Nonetheless, some choose the freedom to fly by using what they have:.Their.skateboards. &#38;nbsp;













The Series Project. 
Isolation. July. 2020.
Winner of the People - Professional category - Jury Top 5 at the International Photography Awards 2023- Winner of Critical Mass Top 50 2023
Photo Lucinda Winnder of the 2023 Excellence in Photography awardCommunication Arts 2023 Excellence in Photography Winner&#38;nbsp;&#60;img width="1500" height="1118" width_o="1500" height_o="1118" data-src="https://freight.cargo.site/t/original/i/167dcb9c772f74d3d115beabecc1ed51b14654c5cd6015ed5499dca411c8029c/53f721d665823d8397c62c2645161032.jpg" data-mid="207588162" border="0"  src="https://freight.cargo.site/w/1000/i/167dcb9c772f74d3d115beabecc1ed51b14654c5cd6015ed5499dca411c8029c/53f721d665823d8397c62c2645161032.jpg" /&#62;

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&#60;img width="1500" height="1110" width_o="1500" height_o="1110" data-src="https://freight.cargo.site/t/original/i/b34cfc27b7fb812398548ab0bb35b7772155d3c3085a00caa4ce2f71e36cf485/ff9e8751f313a028718167a587f6451c.jpg" data-mid="207588173" border="0"  src="https://freight.cargo.site/w/1000/i/b34cfc27b7fb812398548ab0bb35b7772155d3c3085a00caa4ce2f71e36cf485/ff9e8751f313a028718167a587f6451c.jpg" /&#62;
︎&#38;nbsp; ALLISON HUNTER





















Allison was a determined 8 year-old fascinated by the natural beauty of the forest bordering her childhood home in rural New Jersey. 
She never lost this wonder for the natural world and our connection to it.

Since then, Allison has studied art in Switzerland, rode to Prague on the back of a motorcycle and projected moving images onto abandoned grain silos in Houston. She’s exhibited her photography and video art in museums and galleries in Florida, North Carolina, California, New York, Canada, and Sweden. Her work is collected by the Museum of Fine Arts, Houston, the Center for Photography at Woodstock, the Albany Institute of History and Art, and the Museum of the University at Albany, among others.

Today Allison is just as much at home shooting for large clients such as Greystar as she is creating museum installations and gallery projects and has won multiple significant art grants.&#38;nbsp;







︎ALLISON’S WEBSITE
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	<item>
		<title>Lili Waters : THE KISS OF DEATH</title>
				
		<link>https://theseriesproject.com/Lili-Waters-THE-KISS-OF-DEATH</link>

		<pubDate>Fri, 29 Jan 2021 05:49:11 +0000</pubDate>

		<dc:creator>theseriesproject</dc:creator>

		<guid isPermaLink="true">https://theseriesproject.com/Lili-Waters-THE-KISS-OF-DEATH</guid>

		<description>
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/43e8e73461573e1a51506cadbcc9baf48292be1b5a34e629cdb27ec52ad908c8/Lilli_Waters_The_Kiss_of_Death_01.JPG" data-mid="96926675" border="0"  src="https://freight.cargo.site/w/1000/i/43e8e73461573e1a51506cadbcc9baf48292be1b5a34e629cdb27ec52ad908c8/Lilli_Waters_The_Kiss_of_Death_01.JPG" /&#62;



LILI WATERS ︎&#38;nbsp; THE KISS OF DEATH


























&#38;nbsp;











Isolation. Lockdown. A strange feeling in the air.


1.5 metres. No touching allowed.


Thoughts turn to how we took for granted being physically close to another.


Imagining a world where touch is a thing of the past.


A brush against a passing stranger. A hug. An arm around a friend.


The touch of another is highly charged and complex.


A stolen kiss now has the taste of danger, even possibly death.









The Series Project. 
Isolation. July. 2020.


Exhibited at The Laneway Gallery, Melbourne's GPO, 2020 and at 'Art in the Plague Year', UCR Arts, California Museum of Photography, 2021.

Shortlisted, Australian Photography Awards 2020.

Shortlisted, Top 20 Photo Oxford Festival 2020.

Featured in 'Jane by the Grey Attic' magazine, issue 8 'there were seeds.'

IPA Awards - Honourable Mention : Analog / Film: Portrait category.
Project featured in Luerzer’s Archive top 200.

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︎ LILI WATERS










Lilli Waters (born 1983, Armidale, NSW) is a fine arts photographer whose work explores the human condition through dramatic images of the female form in haunting, windswept landscapes. A Lili Waters image has a painterly quality, evoking the Pre-Raphaelites with macabre, foreboding elements, a jewel-like palette and a sensitive use of light. Waters makes use of translucent fabrics and long hair to obscure the identities of her subjects, suggesting that the image might be just as much a mirror for the viewer, as it is a portrait.Lilli’s work has been exhibited to much acclaim in Italy, Germany, Japan, the UK, the US and Australia. Her images have appeared in publications around the globe – including Vogue Living (Aus), Belle Magazine (Aus), Art Aesthetica (UK), Austrian Living (Austria), Jane by the Grey Attic (Aus) and The Opera Magazine (Germany) as well as appeared in feature films, including Fifty Shades Darker and Fifty Shades Freed (USA). She has been a finalist in the Nillumbik Prize for Contemporary Art (2021), Fisher’s Ghost Art Award (2020), Beautiful Bizarre Art Prize (2020), Du Reitz Art Awards (2020), Percival Photographic Art Prize (2020), National Portrait Prize (2019), Australian Photography Awards (2018) and Art Aesthetica Art Award (2018).



︎LILI’S WEBSITE
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	<item>
		<title>Under His Gaze: : Billy Plummer</title>
				
		<link>https://theseriesproject.com/Under-His-Gaze-Billy-Plummer</link>

		<pubDate>Mon, 06 Apr 2026 02:20:59 +0000</pubDate>

		<dc:creator>theseriesproject</dc:creator>

		<guid isPermaLink="true">https://theseriesproject.com/Under-His-Gaze-Billy-Plummer</guid>

		<description>

&#60;img width="2835" height="2126" width_o="2835" height_o="2126" data-src="https://freight.cargo.site/t/original/i/56ba69be41d6af21ec1f8464ebed0224f9a233f71db8a794dbb8aad42ac71192/AA_LR_Plummer_Marrakech_7113HotelMimosa_02-1.jpg" data-mid="246877484" border="0"  src="https://freight.cargo.site/w/1000/i/56ba69be41d6af21ec1f8464ebed0224f9a233f71db8a794dbb8aad42ac71192/AA_LR_Plummer_Marrakech_7113HotelMimosa_02-1.jpg" /&#62;
BILLY PLUMMER︎UNDER HIS GAZEOn the far edges of the Red City, life moves at a slower, older rhythm. Here, public space tells its own story. Women slip past in silence - veiled, faceless, unknowable and unreachable. They move through the city as figures of of urgent duty, of ritual, as individuals withheld, their roles long rehearsed and rarely questioned. Invisibility is their inheritance. The men, by contrast, are bareheaded, conspicuous and unhurried. They lean in doorways, gather in low conversation and sit in the sun. Their presence feels authoritarian.
These images trace the patterns of a gender choreography from the edge of a world both real and unreachable.
The Series Project, Marrakech. June 2025.
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︎ BILLY PLUMMER



︎BILLY’S WEBSITE
</description>
		
	</item>
		
		
	<item>
		<title>The hidden : : Nick Paulsen copy</title>
				
		<link>https://theseriesproject.com/The-hidden-Nick-Paulsen-copy</link>

		<pubDate>Wed, 09 Jul 2025 04:56:02 +0000</pubDate>

		<dc:creator>theseriesproject</dc:creator>

		<guid isPermaLink="true">https://theseriesproject.com/The-hidden-Nick-Paulsen-copy</guid>

		<description>

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NICK PAULSEN︎THE RECEIVERSIt is said that there are people who can connect to a world that the rest of us cannot. 
A spiritual kind of underworld that uses a human vessel to communicate.&#38;nbsp; 
The Receivers allow an energy to flow through them.
An atmosphere that transforms from light into dark.
This is my experience of observing something that we can feel but rarely can we see. 
Behind doors.
The Series Project, Hanoi. May 2024.

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︎ NICK PAULSEN


Nick Paulsen is a New Zealand Photographer currently based in Auckland. He is formally trained in Photo Journalism and gained International qualifications from Spéos Photography School in Paris. Nick also has extensive experience in the Music Industry and has photographed some of the worlds biggest artists leading to publications in LA Weekly, Mojo Music Magazine and Télérama. 

Nick is driven to produce images that can guide us into the mysterious and often hidden realities that surround us. &#38;nbsp;

Aside from his work in Photo Documentary and Music, Nick is involved with various charities and causes and seeks to create an atmosphere of feeling and emotion with his work. His recent series 'Freedom has a Cancellation' gained acknowledgement from the IPA and was featured in&#38;nbsp; Christchurch International Airports annual review to showcase the devastating impact COVID-19 has had on travel.



︎NICK’S WEBSITE
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